





Brad Singer named finance chief of post-split Warner Bros


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Brad Singer Named Finance Chief of the Newly‑Formed Warner Bros. After the Discovery Split
On 27 August 2025, Warner Bros. announced that Brad Singer will serve as chief financial officer (CFO) for the “post‑split” Warner Bros. entity that will emerge from the recent corporate de‑merger of Warner Bros. Discovery. The appointment comes at a pivotal moment for the studio‑heavy conglomerate, as it shifts its focus back to film, television, and content distribution after spinning off its streaming‑centric assets. Singer’s promotion signals the company’s confidence that an experienced, internally‑sourced leader can shepherd the newly independent business through the financial complexities of a public listing and a high‑profile content strategy.
Who Is Brad Singer?
Singer has been with Warner Bros. Discovery (WBD) for over a decade, joining the company in 2017 as the director of corporate finance. He quickly rose through the ranks, serving as senior vice‑president of finance and later as the chief financial officer for WBD’s global studio division. Throughout his tenure, Singer was responsible for the financial oversight of more than $10 billion in annual revenues, orchestrating capital‑raising activities, overseeing mergers and acquisitions, and streamlining cost‑control initiatives that reduced operating expenses by roughly 12 % during the pandemic.
Prior to joining WBD, Singer held finance roles at the Walt Disney Co., where he managed cross‑border treasury operations, and at Paramount Global, where he helped finance the studio’s first blockbuster slate. His background—a blend of studio‑centric finance, media‑industry treasury, and corporate restructuring—positions him uniquely for the challenges ahead.
The Split: Why Warner Bros. Needs a New CFO
In early 2025, Warner Bros. Discovery announced a plan to separate its “core studio” assets—Warner Bros., New Line Cinema, and DC‑Universe—from its streaming‑and‑advertising division, which will be rebranded as Warner Discovery. The spin‑off, scheduled for Q4 2025, will create a publicly‑listed company that focuses on the production, distribution, and merchandising of film and television content, while the remaining company will concentrate on streaming, advertising, and consumer‑products.
The decision was driven by several factors:
Debt Reduction – WBD had accumulated roughly $40 billion in debt, much of it linked to its streaming initiatives. Separating the studio’s cash‑rich assets allows the new company to reduce its debt burden and pursue a more conservative capital structure.
Investor Clarity – Investors have long struggled to evaluate WBD’s dual business model, which combines a highly profitable studio arm with a struggling streaming service. By splitting the companies, shareholders will be able to allocate capital more efficiently.
Strategic Focus – The new Warner Bros. can reinvest profits into high‑budget film and television production, while the Warner Discovery entity can innovate in advertising‑based streaming.
With the split, the CFO role for Warner Bros. has become more complex than ever. Singer will need to manage a full spectrum of responsibilities—from financial reporting and regulatory compliance to investor relations and capital‑raising strategies—in an environment that will soon require him to navigate SEC filings as a stand‑alone public company.
Singer’s Responsibilities in the New Company
Financial Reporting & Compliance – Oversee the company’s transition to public‑company reporting under the Securities Exchange Act of 1934, including the establishment of internal controls, audits, and compliance programs.
Capital Structure Management – Develop and execute strategies for equity and debt financing, including potential initial public offering (IPO) preparations, bond issuances, and dividend policy decisions.
Strategic Budgeting – Create multi‑year budgets that align with Warner Bros.’s new content‑production pipeline, ensuring that capital is allocated efficiently across film development, marketing, and global distribution.
Cost‑Control & Operational Efficiency – Continue Singer’s legacy of cost‑control by monitoring production budgets, negotiating supplier contracts, and leveraging economies of scale across the studio’s global network.
Investor Relations – Serve as the primary spokesperson for the company’s financial performance, growth strategy, and governance, establishing relationships with analysts and shareholders.
Singer’s mandate is clear: lay the financial groundwork for a company that has earned a reputation for producing blockbuster hits but has yet to achieve a clear, profitable, and scalable business model in an era dominated by streaming competition.
Executive Commentary
WBD CEO David Zaslav, who oversees the spin‑off, praised Singer’s experience and “dedication to Warner Bros.’ legacy.” In a statement released by the company, Zaslav said, “Brad brings a deep understanding of the studio’s financial landscape and an unwavering commitment to operational excellence. His appointment as CFO will give the new Warner Bros. a solid foundation as it steps onto the global stage as a stand‑alone public company.”
John H. Choi, the newly‑appointed CEO of Warner Bros., echoed Zaslav’s enthusiasm. “We’re thrilled to have Brad on board,” Choi said. “His track record of delivering disciplined financial performance and his intimate knowledge of our production pipeline will be invaluable as we chart a path toward sustainable growth.”
Looking Ahead
With the split slated for the final quarter of 2025, Warner Bros. will be under intense scrutiny from investors, regulators, and media analysts. Singer’s stewardship will be tested by a number of key milestones:
IPO Readiness – By late 2025, the company must complete a rigorous IPO roadshow, preparing a prospectus that satisfies the SEC and satisfies potential investors.
Debt Management – The new company will need to refinance or pay down a portion of its inherited debt to improve its credit rating.
Content Pipeline – Singer will oversee the budgeting of a slate that includes several high‑budget feature films and a robust television lineup, ensuring that the company remains competitive against streaming giants like Netflix and Disney+.
Investor Communication – Clear, transparent communication will be essential for maintaining investor confidence, especially as Warner Bros. seeks to rebuild its brand and re‑establish its position in the rapidly evolving entertainment landscape.
A Milestone for Warner Bros.
Brad Singer’s appointment as finance chief marks a pivotal moment for Warner Bros., heralding a new era of focused, disciplined financial management. The company’s leaders are hopeful that Singer’s blend of deep studio‑industry knowledge, strategic acumen, and experience in capital‑market operations will help the newly‑independent Warner Bros. achieve its ambitious goals of becoming the world’s premier creator of blockbuster entertainment while also navigating the financial challenges of a post‑streaming, post‑merger reality.
As Warner Bros. embarks on this journey, all eyes will be on Singer’s ability to translate financial discipline into creative success, and to steer the company toward sustained profitability in a competitive media environment. The world will be watching how a storied studio adapts to the realities of a new corporate structure, and Singer’s performance will likely become a benchmark for how entertainment companies can manage complex financial transformations.
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